In the middle of the photograph you can see the work of Rita Vitorelli. Here it is not her paintings, but mirrors-fragments that she exhibits, on first impression a seemingly very unlike material. But like her paintings the view of the recipient is clipped and guided to spots that tend to be overlooked. Further mirror-fragments that were attached to the architecture outside of the exhibition-room were also part of her presentation.
The second video-installation by Richtard Jochum can be seen to the right. It shows the face of a grown-up male person (the artist) calling out for "Mama" in an endless loop.

The installation by Christian Eisenberger consists of 3 pieces: in the roof-structure we find one of his cocoons, a luminescent gallows hang from there and on the wall we find a swastika made up from red water-levels (more about his work - here).

Miriam Laussegger und Eva Beierheimer presented on work out of their jointly developed series which can be found in the web at www.worte.at. Ironizing the sometimes awkard role language sometimes plays in the fine arts. The emperors new coat sits on top of a long-drawn-out printed roll of words which we enounter regularly in texts that accompany art. On the website you can add your own words and get texts automatically generated for you.

The third position dealing with the subject of language transmitting fine art (together with Beierheimer & Laussegger and Roman Pfeffer) is Kamen Stoyanovs work "Which one should I buy?". He asked two galleries to each offer one piece of art to a husband and his wife who are collectors. He limited the communication between the couple and the galleries to an internet-chat. They got no visual information about the piece of art they are going to buy. In the exhibition the decision-making process of the couple was presented to the audience with a video showing husband and wife discussion and typing into the chat as well as the chat-protocols, which were hanging from the ceiling.